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- Shells: "Vintage" manufacturing 3-ply Maple/Poplar/Maple according to exclusive ASBA technical specifications, faithful to the previous models
- Dimensions: available in 14x5; 14x5,5; 14x6; 14x6,5; 14x7; 14x8
- Beechwood reinforcement ring 45° w/roundover
- Hardware: High quality chrome, exclusive ASBA design from the 60's
- Hoops: Chrome on steel hoops (die cast hoops available on option: Supplement 85€)
- Snare wires: brass, 20 wires, dual end plate with "ASBA" engraving
- Strainer: high precision, 100% chromed metal, NickelWorks - Fixing ribbon matching the snare finish
- Finish: satin varnish "vintage" Marron Five
- ASBA plate: Gold (or chrome upon request)
- Handcrafted in our workshop in Lyon, France
- Wax coating inside the shells
- Label certifying the date of manufacturing of the instrument
Drumhead Fit Control Technology: All our shells undergo a rigorous control, ensuring the perfect flatness of our bearing edges. This technology guarantees a very high precision contact between the drumhead and the shell. The result is a huge tuning range, from the most "fat" sound to the most vocal settings. Whatever expressiveness you are looking for, the ASBA shells offer you the ultimate in musical quality.
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Testimonials
Caroline Geryl
Professional drummer (Pomme, Naïve newbeaters...)
"I wanted an instrument that would be the mirror of my playing in its authenticity, precision and warmth.
And beyond answering it, she sublimates it. We're unlimited creatively and technically. You can go there with one's eyes closed, it's really the bomb!!!!"
Guillaume Pihet
Professional drummer, speaker at the Music Academy International (M.A.I) and around learning methods
"The new ASBA models were love at first sight for me! Top-of-the-range equipment that rhymes with elegance, finesse and excellence "à la française". I'm a big fan of the sound, its versatility and its look... as well as its simplicity to tune it. My drums sing in a controlled resonance (bye bye handkerchiefs and moongel)... a delight."
Jerome Goudour
Drum teacher at the Conservatory
"I really appreciate the sound of course... and also the lightness; the easiness of tuning and the versatility (for me who goes from jazz to rock it's perfect). It's an instrument that "sounds" ... you can throw out the moongels and let it express itself."
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